Nubian, Napatan Period, reign of Taharqa, 690–664BCE
This is a shawabty belonging to King Taharqa. The figure wears a bulging bag (khat) headdress with uraeus and has a long beard. Here the hands are opposed resting on the chest. In each hand the figure holds a hoe and a cord to a small bag slung over each shoulder. The hoe on the right has a narrow blade and the one on the left has a broad blade. The seed bags are incised with diagonal crossed lines forming a diamond pattern. There are nine horizontal lines of incised unframed text on the front of the body which do not extend to the back of the figure. There is a footmark on the bottom of the foot which is number three in Dunham’s typology for Taharqa, updated by Joyce Haynes (MFA, 2008). The object was broken in three pieces and is mended. This mummiform shape does not have a back pillar or base. There are several eroded spots on the front torso and legs.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270BCE. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a “Shawabty Spell,” of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
Provenance: From Nubia (Sudan), Nuri, Pyramid 1 (tomb of Taharqa) I E near door. 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
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